Whitewash

If you Google greenhouse whitewash you will find both paint and the strategies corporations use to recharacterize their impacts on greenhouse gases.  We happened to be looking for paint.  Our fabulous new studio space has a big skylight that makes it unnecessary to have lights (a good thing because they’re not installed yet).  But we’re having hot and sunny weather and the mezzanine team was dealing with a tropical heat wave.  Having VE’d out the fabulous modern low-E or translucent glazing, and having found that the old glass won’t accept energy saving films, we thought about screens and shade cloth, and then about the whitewash growers use on their greenhouses.  Researching that we found an American product that contains formaldehyde (known to cause cancer), traditional whitewash (lime), known to turn aluminum black, and a wonderful new European product that is white when dry and clear when wet.  Interestingly, the manufacturer will not publish the chemical contents, and though it states that it is “non-toxic”, it also recommends not to let it drain into a sewer.  To clean it off you use sulfuric acid.  All in all, it sounded like the chemistry was being withheld for a reason.  A competing American product also won’t publish its contents.

So we chose to apply white latex paint diluted 8x by water.  We (or more properly Leo – thanks from all your cool colleagues) cleaned the skylights and rollered on two coats.  The glazing had been replaced at many different times over the life of the skylight and the added uniformity helps the appearance.  The heat and glare difference is radical.  We still have enough daylight to do without lights but despite the hot weather the sunglasses and sombreros have disappeared and everyone is SO much happier. But wouldn’t it be great if the variable whitewash turned out to be a safe solution - it will be winter soon and we might welcome a little more sun.

Chris’ Cambridge arrival

After torrential rain yesterday, I’ve settled in for a cloudy Sunday – getting ready for the third week of classes at the GSD. I’ve committed myself to three classes – about all I can fit in with kid-management and elementary school hours.

I’m auditing two GSD courses – a first-time course on Sustainability for Planners & Designers, and a ZED (zero energy design) Workshop taught by Bill Dunster of BedZED – a model project in England that has spawned a whole industry (ZEDFactory’s ZEDPort, ZEDTools, RuralZED, ZEDFabric, etc.) Look it up at http://www.zedfactory.com/.

The Sustainability course is required for all first year architecture, landscape & planning students at the GSD – part of their new focus on sustainability. As you can imagine it’s a survey course encompassing the whole of sustainability – from the scientific angle – trying to provide a baseline for students to move into the social/political/ethical issues in more advanced courses. Friday’s lecture was “The Earth.” Yes, all of it – not ambitious in the least. …most interesting tidbit – water has its greatest density at 4 degrees C. Why is that interesting? …it turns out that because of this little known fact, water in the oceans stratifies with the 4 degree stuff at the bottom while colder or warmer water rises to the surface. Lots of mixing going on. So, when earth has gone through its “snowball” period, this guarantees that there will be a reservoir of liquid water in which those 5% of surviving species can remain. Without this, the oceans would have a much easier time freezing from the top down – same deal with small ponds – this lets those wacky fishies hibernate over the winter down at the bottom without becoming fishsicles.

The ZED workshop is really interesting so far. Basically, the class is going to develop one mixed-use scheme for a parcel across the river from Harvard. They are tasked with producing a comprehensive development (up to DD level) with financials, energy models, etc. The deal is that this is a real project – the University has hired a developer/architect team and they are at DD level right now with a conventional (and pretty mundane) scheme. The ZED team will present to the University staff in December – showing how a ZED scheme can squeeze more/better development onto the site in order to generate the dollars to pay for the extra bells & whistles necessary to bring the thing down to zero energy. So far so good. This week students are researching 25 or so aspects of ZED design and how they affect this site.

Lastly I’m sitting in on a fun course called “First Nights.” Thomas Forrest Kelly presents the social, political, musical setting surrounding the first performance of five canonical works – by Monteverdi, Beethoven, Handel, Stravinsky, and Berlioz. Quite entertaining and a good break from buildings.